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艺术展览|一个人的宇宙 —— “Nice Drawings”插画艺术展

2021年3月20日 14:00 ~ 2021年5月9日 19:00

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    宏藝空间很荣幸将于4号馆举办“Nice Drawings”插画艺术展 —— 一个人的宇宙 One’s Universe,展出flame、两小瓶、林子霖、Nikon、钟俊堃这五位插画艺术家涉及多种风格、多元创作媒材的作品。


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    flame, 追梦 Dream on, 2019
    布面油画 Oil on Canvas, 120x50x5cm x3

    犹太哲学Kabbalah主张的宇宙观宏观而抽象,它对于整个宇宙及人类本质进行了探讨,并认为世界起源于虚无,正如宇宙中有形事物仅占少部分而更多空间则为虚无。

    不仅仅论及宇宙的起源,在Kabbalah的宇宙蓝图中也谈到了人类在宇宙中的地位,同时将生命之树寓意了宏观宇宙全体与微观个体的小宇宙,暂不考究其科学依据,当我们将其应用到人类个体角度时,同样的世界结构便也可作为人类个体的结构。

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    两小瓶 Liang Xiaoping, 景观社会 The Society of the Spectacle, 2020
    防水马克笔 Marker, 78x54cm

    其理论体系由十个不同层面的质点组成,它们代表着宇宙在不同阶段的原始能量、物质创造、生命的潜在性。每个人的不同阶段具有相应的意识与潜意识表现。而在个体构造独特宇宙、创造个人表达语言方面,有着天然觉知力的艺术家有绝对优势。

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    林子霖 Lin Zilin, 轮 Wheel, 2017
    铜板画 Etching, 50x50cm x9

    此次展览的五位插画艺术家均来自不同的空间与行业领域,各自带来自己独特宇宙的创作:
    flame对流动意识的捕捉与抒发;
    两小瓶对日常经历的文学哲思;
    林子霖对视觉审美的多维度呈现;
    Nikon对东方古典的现代解读;
    钟俊堃对矛盾特质角色的幻想与塑造。

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    Nikon, 反角·饕餮 Villains · T'ao T'ieh, 2015
    数字微喷 Digital Giclee, 42x42cm

    在光进入每个人的宇宙时,各人有其独特的生命反应,形体、机能、严格、丰饶、理解等等,而这些反馈则在艺术家的作品里一一呈现,如同个体穿越物质宇宙、生命回归本源。
     
    一个人的宇宙与宏观物理宇宙同样神秘、亟待探索。那么,欢迎各位届时带着自己的小宇宙到展览现场探索,找到星光四射的自己。

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    钟俊堃 Zhong Junkun, 五位仁兄 Five Guys, 2018
    数字微喷 Digital Giclee, 35x35cm


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    The Great Art Space is honored to present the “Nice Drawings” illustration art exhibition in Hall 4 - “One’s Universe”. The exhibition features the works of five illustration artists: Flame, Liang Xiao Ping, Lin Zilin, Nikon, and Zhong Junkun, who are involved in a variety of styles and mediums.

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    flame, 爱的馈赠 Meaning of Love, 2017
    布面铅笔 Pencil on Canvas, 60x50x5cm
     
    The Jewish philosophy Kabbalah advocates a macroscopic and abstract view of the universe. It explores the entire universe and the nature of human beings, and believes that the world originated from nothingness, just as there are only a small part of tangible things in the universe and more space is nothingness.
     
    Not only talking about the origin of the universe, Kabbalah’s cosmic blueprint also talks about the position of human beings in the universe. At the same time, the tree of life implies the whole of the macro universe and the small universe of micro individuals. Suppose we don’t examine its scientific basis for the time being. When applied to the perspective of individuals, the world structure can also be used as the structure of individual humans.


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    两小瓶 Liang Xiaoping, 大眼仔 DaDa, 2020
    防水马克笔 Marker, 15x21cm x9
     
    Its theoretical system is composed of ten different levels of Sephiroth, which represent the original energy, material creation, and life potential of the universe at different stages. Each individual’s different stages have corresponding conscious and subconscious manifestations. Artists with natural awareness have a definite advantage in building their own unique universe and creating a personal language of expression.
     
    图片
    林子霖 Lin Zilin,一只猪 The pig, 2017
    锌版画 Zincograph, 50x30cm

    The five illustrators in the exhibition are all from different spaces and industries, each bringing their own unique creations in the universe:

    Flame captures and expresses the sense of flow;
    Liang Xiaoping’s literary philosophies on daily experience;
    Lin Zilin's multi-dimensional presentation of visual aesthetics;
    Nikon's modern interpretation of Eastern classics;
    Zhong Junkun's fantasy and modeling of contradictory characters.

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    Nikon, 双城记 A Tale of Two Cities, London & Beijing, 2016
    荔枝木、金属、布、纸 Lychee wood, metal, cloth, paper, 27x19x7cm

    When light enters each person’s universe, they have their own unique life response, shape, function, strictness, fertility, understanding, etc., and these feedbacks are presented in their works, as if an individual travels through the material universe and finally life returns to its origin.
     
    One’s universe is as mysterious as the macroscopic physical universe, and it needs to be explored urgently. Finally, you are welcome to bring your own little universe to the exhibition to experience and find yourself in the universes.

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    钟俊堃 Zhong Junkun, 沙漏理论 Sandglass Theory, 2019
    动画 film, 时长 duration 3:49, 尺寸 size 1980x1080






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