【展讯】日本摄影大师植田正治回顾展 | 三影堂厦门

Sat, 31 Aug 2019 15:00:00 GMT ~ Sun, 10 Nov 2019 17:30:00 GMT
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三影堂厦门摄影艺术中心

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《植田正治回顾展》
Shoji Ueda Retrospective Exhibition
主办:三影堂厦门摄影艺术中心
协办:植田正治事务所
艺术总监:荣荣&映里
策展人:佐藤正子(Contact)
对谈佐藤正、增谷宽

开幕时间
2019年8月31日 15:00
艺术对谈
2019年8月31日 16:00
展期
2019年8月31日-11月10日(周一闭馆)
地点
三影堂厦门摄影艺术中心 
(厦门市集美区杏林湾营运中心,2号楼301)


三影堂厦门摄影艺术中心即将荣幸呈现“植田正治回顾展”,本次展览将是这位日本大师级摄影艺术家在中国的首次大规模回顾型展览的厦门站。展出从其早期至后期的141件珍贵原作,涵盖经典代表作品《沙丘》系列,以及备受国内外广泛赞誉的时尚摄影等多个阶段系列作品。

 

植田正治(1913-2000),因在自己家乡鸟取县拍摄的杰作《沙丘》系列而闻名于世,在日本乃至世界摄影史上留下了重要的印记。尽管当时的日本的摄影正处于现代主义的潮流当中,植田正治却毕生都在自己的家乡山阴地区,他只拍摄自己所谓的“真正事物”,却从未将自己定位于某种思潮之中。植田正治的现代主义表现手法是独一无二的,时至今日,“植田调”一直受到海内外的高度评价。


 
受青少年时期西方前卫艺术的影响,植田正治一边在家乡经营着照相馆,一边始终保持着如摄影爱好者般的激情和自由精神。无论是他在自家附近的沙丘上将其家人和密友塑造成棋子一般的“导演式摄影”,还是他从70岁开始拍摄的以《沙丘》系列为代表的时尚和商业作品,都不断构筑起他自己的摄影世界,受到了跨越时代的赞誉。植田最钟爱的主题是他出生和成长的山阴地区的风土和事物。但他的作品有着超越风土人情和时代的普遍性,总能带给观众新的惊喜和深深的感动。





植田正治


“ 不论清醒或沉于睡梦,我都处于对摄影的思索之中。”

—植田正治


植田正治,1913年生于日本鸟取县,1930年代在家乡成立了一个摄影馆并以此开启了其摄影生涯。植田以在鸟取拍摄的《沙丘剧院》等摆拍作品闻名,随后在20世纪50年代向现实主义倾斜,成为战后一代前卫摄影的代表人物,并因《童历》(1971年出版)等摄影集备受赞誉。
 
1972年,植田正治首次到欧洲旅行,并出版了《无声记忆》(音のない記憶)。他分别于1978年和1987年被邀请参加了阿尔勒国际摄影节(les Rencontres d’Arles)。他的作品得到了国外,特别是欧洲收藏家和评论家的极高的评价。1995年,位于鸟取县的植田正治摄影美术馆正式开馆。1996年,荣获法国艺术与文学勋章。2000年,植田正治逝世,享年87岁。2013年,日本东京摄影美术馆举办“纪念植田正治诞辰100周年”大型回顾展。


部分展览作品

Featured Works


爸爸,妈妈和孩子们,1949

Papa, Mama and Children (1949)

Kako与花,1949

Kako and a Flower (1949)

                                                                                                                                                                                            妻子在的沙丘风景,1950


Scenery of the dune with my wife (1950)

稻草人,1950

Bird scarer (1950)

选自《小传记》,1975

From Little biography  (1975)

选自《白风》系列,1981 

From the series White wind (1981)

选自《白风》系列,1981

From the series White Wind

选自《沙丘》系列,1983,

From the series Dune (1983)

GITANES, 1992





Shoji UedaRetrospective Exhibition


Organizer: Three Shadows XiamenPhotography Art Centre
Co-organizer: Shoji Ueda Office
Art Directors: RongRong&Inri
Curator: Masako Sato(Contact)

Opening: 
15:00, August 31,2019
Talk: 
16:00, August 31,2019
Duration
August 31, 2019 -November 10, 2019  Closed on Mondays
Location: 
Three Shadows XiamenPhotography Art Centre 
(No. 301, Building 2, Xinlinwan Business Center, JimeiDistrict, Xiamen)



It is Three Shadows Xiamen Photography ArtCentre’s honor to present the first extended retrospective exhibition of ShojiUeda in Xiamen, China, featuring 141 early and late works ranging from hismasterful series Sand Dunes to the fashion photographs that helped trigger a reappraisal of his achievements.


Shoji Ueda (1913-2000), well known for hisiconic pictures taken around his hometown Tottori, would ultimately leave a major mark on the history of photography in not only his home country but also abroad. And he did it by remaining in his hometown Sanin, pursuing whatever imaginative ideas pleased him and never aligning himself with any particular movement, even as realism began to take center stage in main stream Japanese photography. His strain of modernism was so distinct that the “Ueda-cho (Uedastyle)” still generates fresh acclaim to this day.


Influenced by the Western avant-garde duringhis adolescence, Ueda maintained the passionate, uninhibited spirit of anamateur while he ran his own studio. His intricate compositions - prime examples of staged photography - often featured his family and his close friends in his neighboring sand dunes arranged like chess pieces. The worlds hemanaged to express within the constraints of commercial and fashion photography remain both surprising and deeply moving, as typified by Mode in Dunes, a project he undertook at the age of 70.

 




Shoji Ueda

“Awake or asleep, I always found myselfthinking about photography.”
– Shoji Ueda



Shoji Ueda was born in 1913 in Tottori Prefecture, Japan and started his career as a photographer by establishing astudio at his hometown in the 1930s. He cemented his reputation within tricately staged photographs in the Tottori sand dunes before tilting toward srealism during the 1950s and continuing to garner acclaim with photo books like Children the Year Around, published in 1971. 1972, when he first traveled to Europe and published Oto no nai kioku, marked a turning point in his international reputation. He was subsequently invited toparticipate in Les Rencontres d’Arles in 1978 and 1987. His works are highly regarded abroad and he has steadily built a reputation among European collectors and critics in particular. In 1996, he received the Ordre des Artset des Lettres of France. Ueda died at 87 in 2000. In 2013, Tokyo Photographic Art Museum held “100 Years of Birth! Shoji Ueda,” a large retrospective.







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