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[展览预告 | Future Exhibition] 无家可归 I Feel No Longer At Home At Home

2019年10月11日 18:00 ~ 2019年10月17日 18:00

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    ​无家可归 I Feel No Longer At Home At Home


    2019/10/11 - 2019/11/17


    开幕时间:10月11日 18:00-20:00

    Opening: 18:00-20:00, October 11th


    开幕表演《没饭》10月11日 18:30

    Performance《No Meals》18:30, October 11th



    参展艺术家: 
    何悠 He You
    黄釗 Huang Zhao    
    姜山 Jiang Shan
    李佩芬 Lee Pei-Fen
    刘雪宇 Liu Xue-Yu
    王寅 Wang Yin
     

    OMAThe Office for Metropolitan Architecture编写的S, M, L, XL是一本谈空间的书,它混合的体例中,有一部分以字典的样式出现,字典中的词条尝试定义一些当代生活的元素。对于“家”,是这样定义的:

     

          “家”

    在童年的房子和死亡的房子之间,在那些嬉游与工作之间,立着一所日常生活的房子,建筑师们把它叫做许多东西——住宅、居所、寓所,等等——仿佛生活只在一个地方发育。

    (中文译O.M.A. Rem Koolhaas and Bruce Mau, S, M, L, XL, The Monacelli Press, Page776)

     

    伦敦、北京这样的大城市,某种资本主义高级形式在空间上的投影——在其中,“都市”等同于“世界”,幸运儿在其中行使权力意志、释放无尽消费天性。而对于这世界中一小部分,进入了艺术学院的人来说,他们找到的是一处庇护之处refuge,一类理想中的“家”:

     

    “仿佛生活只在一个地方发育。

     

    在这个理想中的“家”的体制中,情感和管理(或许可以称为“治家术”)贴合,有意地放松了审查制度。这种审查制度对于我而言太过熟悉,它是我故去的奶奶家中,橱柜上贴着的红底黄字挂画:

     

    “天地国亲师”

     

    这类日常的审查规范着人成长发育为孝子贤孙,在既定的序列中找到位置,将自身和所做的事纳入这一种体制。

     

    这个展览试图集结几位艺术家共同想象某种软化的体制,以及日常生活如何在其中流行发育。艺术家在房间、城市、郊野、数字空间里追迹某种生活的法则和模型

     

    回家。

     姜山

     


    S, M, L, XL, a book made by OMA(The Office for Metropolitan Architecture) talks about spaces. In its mixed literary forms, there are dictionary entries trying to define elements in contemporary life. Here is an example:

     

    HOME

    Between the houses of childhood and death, between those of play and work, stands the house of everyday life, which architects have called many things—residence, habitation, dwelling, etc.—as if life could develop in one place only.

    (O.M.A. Rem Koolhaas and Bruce Mau, S, M, L, XL, The Monacelli Press, Page 776)

     

    Metropolis such as London and Beijing can be regarded as projections of advanced forms of capitalism. Metropolis equals world. Lucky dogs can exercise their will to power, unleash the nature of consumption endlessly. However, a small group of people in this world enter into art schools, as if they enter into a refuge, an ideal home,

     

    “as if life could develop in one place only.”

     

    In this institution of home, emotion and management (we may also call it “household”) work together, under an intentionally loosened censorship system. This censorship at home is rather familiar to me: in my grandmother's house, the order was written above the cabinet:

     

    Tian(天Heaven) Di(地Earth) Guo(国Country, or Nation) Qin(亲Parents)  Shi(师Teacher)

     

    This daily censorship regulates one to grow up as obedient children and grandchildren, to find his/her position in the established order.

     

    This exhibition attempts to gather a few of us to imagine a softened system or institution, and how life can develop in it. The artists trace a rule or model of life's development in the space of a room, an urban environment, countryside, or the digital realm,

     

    as if tracing the way home. 

    - Jiang Shan




    BACA Art Centre | Nook Gallery
    BACA 艺术中心|旮旯空间


     


    BACA Art Centre | Nook Gallery is a new addition to the Beijing art scene, and is located within the second ring road of Beijing, near Yonghe Temple. The Centre is a unique platform to promote emerging contemporary artists, as well as being an experimental space for exhibition, performance and film. BACA Art Centre | Nook Gallery also holds art workshops and short courses, taught in English by Art and Design professionals and suitable for all ages.

     

    任帅 Ren Shuai | 网红 Wang Hong


    BACA 艺术中心|旮旯空间是北京艺术界一位令人充满期待的新成员,坐落于京城二环以里,毗邻雍和宫。作为一个独特地推广国际新锐艺术家的平台,BACA 艺术中心|旮旯空间是集艺术展览、现场表演和电影放映为一体的实验性场域。与此同时,BACA 艺术中心|旮旯空间在全英文教学环境下,开设了与艺术设计产业相关适合各年龄段的艺术工作坊和短期课程。


    Unit 125, Level One, Yonghe Tower B, Beijing 

    北京市东城区雍和大厦B座125室


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    BACA艺术中心

    BACA 艺术中心|旮旯空间是北京艺术界一位令人充满期待的新成员,坐落于京城二环以里,毗邻雍和宫。作为一个独特地推广国际新锐艺术家的平台,BACA 艺术中心|旮旯空间是集艺术展览、现场表演和电影放映为一体的实验性场域。与此同时,BACA 艺术中心|旮旯空间在全英文教学环境下,开设了与艺术设计产业相关适合各年龄段的艺术工作坊和短期课程。

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