New who artists group show陈晓彬 Chen Xiaobin
邓春儒 Deng Chunru
丁志新 Ding Zhixin
方晖 Fang Hui
黄原 Huang Yuan
蒋国远 Jiang Guoyuan
Ken Malson
李政德 Li Zhengde
梁古一 Liang Guyi
彭立彪 Peng Libiao
文皆俊杰 Wen Jie Junjie
徐弘滨 Xu Hongbin
邹明 Zou Ming
开幕 Opening | 11/20 Sat, 3pm
展期 Date | 2021/11/20 - 2022/01/09No.1003 Shennan Avenue, Futian, Shenzhen宏藝空間很荣幸联合鳌湖艺术村NEW WHO ART VILLAGE呈献《做么该Do Some Art》艺术家邀请展，将展出13位艺术家、40件架上绘画、雕塑与影视作品。
做么该，是一句客家语，意思是“做什么”。深圳从历史和文化的角度溯源是客家文化，在中部、东部和北部都有着客家人聚集的村落。随着改革开放城镇变国际大都会，边缘性的古村落也逐渐荒废，所幸还有一群人热爱这样的村落，让她重新焕发生命，鳌湖艺术村就是其中一个。宏藝空間此次就邀请到鳌湖艺术村的13位艺术家来讲述他们在村里的故事。陈晓彬 Chen Xiaobin, 《弃形》系列 - 香蕉皮 "Abandoned Form" Series: Banana Skin, 2018陶瓷 Ceramic, 50 x 50 x 12 cm邓春儒 Deng Chunru, 《干杯》系列 - 加满 "Cheers" Series: Pour full布面油画 Oil on canvas, 150 x 150 cm用艺术活化村落在很多地方都进行过尝试，比如最为有名的日本越后妻有的大地艺术祭，之后就衍生出各种各样的大地艺术节，但很多都只是昙花一现。曾有人做过一个关于街区活化的街头访问，受访人说要问一个成功的街区改造一定要问住在当地的人，是否在重建之后愿意重新回来居住。空降的文化艺术如果没有切实参考到当地文化，确实容易被看作是搞破坏，这也是往往当代艺术介入地方给人的印象。
丁志新 Ding Zhixin, 肖像1 Portrait I, 2017布面丙烯 Acrylic on canvas, 90 x 60 cm方晖 Fang Hui, 《五虎将》系列 02 - 看招 "Five Tiger Generals" Series II - Watch Out, 2017青铜 Bronze, 55 x 29 x 51 cm从早期的鳌湖艺术节到工人俱乐部，再到鳌湖纪事，鳌湖的一点一滴都在被记录，村民也逐渐参与了进来这个正在进行中的社区实践项目。听艺术村发起人说起村里的林中空地花园，一开始他们都很担心花园没有围栏植物会被拿走，或者会被人破坏，但艺术家坚持对外开放，不设任何围栏阻挡，即使真有人要拿走植物就随意拿。直到现在花园的植物没有一株被遗失，大家都非常热爱这个村子里的花园。这个开放的态度也让鳌湖的艺术真正的走进村里。我们常常担心艺术与大众的距离，似乎有一层无形的屏障，鳌湖则在打破这道屏障。取客家话做什么来做题目，就像是老村民对尝试打破这道屏障的艺术家们的疑问，“做么该？”“Do Some Art”，希望在这场展览我们会看到这个疑问的答案。黄原 Huang Yuan, 吞噬 Swallowing, 2021纸浆综合 Pulp, comprehensive materials,蒋国远 Jiang Guoyuan, 竞技场 Arena Fluid, 2016纸本丙烯及画框绘制 Acrylic painting on paper, 71.6 x 173 cmKen Malson, Beads of White Grass, 2019Mixed media, 50 x 15 cm each“Zuo Me Gai”, is a Hakka word meaning "What are you doing?". Shenzhen is historically and culturally remote from the Hakka culture, with Hakka villages in the central, eastern, and northern parts of the city. With the reform and opening, the cities and towns became cosmopolitan, and the marginal old villages were gradually abandoned. Fortunately, there is still a group of people who love such villages and bring them back to life, one of them is Niuhu Village, which became the NEW WHO ART VILLAGE. This time, Great Art Space invited 13 artists from NEW WHO ART VILLAGE to tell their stories in the village.李政德 Li Zhengde, 风景 Landscape, 2019爱普生收藏级无酸钡基紙 Epson Collection Grade Acid-Free Barium-Based Paper, 1/6版 Edition of 6, 71.43 x 100 cm梁古一 Liang Guyi, 《飞鸭》系列 02 "Flying Duck" Series II, 2017布面油画 Oil on canvas, 100 x 70 cmThere have been many attempts to revitalize those kinds of villages with art, such as the most famous Echigo-Tsumari Earth Art Festival in Japan, which has led to various earth art festivals, but many of them are only short-lived. Someone once did a street interview about neighborhood revitalization, and the interviewee said that to ask about a successful neighborhood renovation one must ask the people who live in the area if they would like to come back to live there after redevelopment. Airborne culture and art that does not actually reference the local culture can indeed be easily seen as vandalism, and this is the impression that contemporary art interventions in places often give.
彭立彪 Peng Libiao, 使用与制作 Making and Using, 2019木，石膏，不锈钢 Wood, plaster, stainless steel, 60 × 30 × 20 cm文皆俊杰 Wen Jie Junjie, 把思念藏在云端 Hide Longing in the Clouds, 2020
纸上马克笔、油漆笔 Markers and paint pens on paper, 21 x 30 cmFrom the early NEW WHO ART Festival to the Workers' Club to the Niuhu Chronicle, every little bit of Niuhu is being recorded, and the village curator is gradually getting involved in this ongoing community practice project. At the beginning, when they heard the promoters of the art village talk about the village's woodland garden, they were worried that the plants would be taken away, or the garden would be damaged if there was no fence. Until now, not a single plant in the garden has been lost, and everyone loves this village garden very much. This openness has also allowed the art of Niuhu to really come into the village.We often worry about the distance between art and the public, there seems to be an invisible barrier, but Niuhu is breaking this barrier. The title "Zuo Me Gai" in Hakka is like the question of the old village residents to the artists who are trying to break the barrier: "What Are You Doing?” "Do Some Art", hopefully we will see the answer to this question in this exhibition.
徐弘滨 Xu Hongbin, 日常街道 Daily Street, 2017布面油画 Oil on canvas, 80 x 100 cm邹明 Zou Ming，大漠胡杨印象 Populus euphratica in the desert, 2021设色纸本 Ink and color on paper, 180 x 180 cm
2021年11月20日 15:00 ～ 2022年1月9日 19:00
Great Art Space 宏艺空间
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