内容简介14世纪以后，虎丘卷入了城市化的进程，时人对它作为“山水” “风景”的认知也逐渐向“名胜”转变。借助一系列绘画和方志文献，研究者得以以拼图的方式推测时人眼中虎丘的样貌，以及他们发展了哪种场所性的认知。研究发现，直到明代晚期之前，虎丘场所再现中尚未发展统一的“空间”认识，而“时间”依然起着为场所赋予秩序的作用。在“名胜” “古迹”的意识中，暗含了“履古人踪迹”与“体古人心迹”的双重叠合，眼前之景因而与地方历史的记忆不可区分，显现为一种“时间境域中的风景”。
5. 笔者推测的清代乾隆晚期虎丘山场所的可能形象 ©吴洪德6. 文献中的康熙皇帝玄烨驾幸虎丘胜迹记录（行宫修建前）©吴洪德Tiger Hill in 14th-18th century paintingsSince the 14th century, Huqiu Shan(Tiger Hill of Suzhou) was involved in the process of urbanization, and the contemporary perception of it as a place of "Shan-shui" (landscape) and "fengjing" (scenery) gradually switched to that of "Mingsheng" (monument). By analyzing a series of paintings and local archives, the speaker is able to speculate on what the place might look like in the eyes of the contemporaries and what kind of experience, imagination they had about it. The study shows that not until the late Ming Dynasty, had an understanding of a unified "space" been developed in Huqiu paintings, and "time" still played a dominate role in narrating the place. In the conception of "Mingsheng" and "guji", a simultaneity of "stepping onto the footprint of ancestors" and "grasping their inner disposition (heart-print)" is embedded. The view in the bare eyes is entangled with the memory and imagination. Images of the place (or place scape) are thusly manifested in temporal horizon rather than in visualized space, from which an idea of timescape rather than landscape can be inferred.讲座时间
2020年11月13日（星期五）19:00-21:00
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那行文化-零度空间
上海市徐汇区云锦路300号-2临星社区：阿科米星建筑设计事务所创建的一个虚拟社区，内容包括“网络互动平台”（豆瓣小站）和“四季文化沙龙”两部分，目的是促进上海建筑领域的学术与文化交流沙龙：每年春夏秋冬由阿科米星建筑设计事务所与那行文化联合主办的学术与文化交流活动时间：每年四季，择一星期五晚上 19:00~21:00内容：每期将邀请一位研究者对特定主题展开学术演讲，同时邀请嘉宾与主讲者互动，欢迎所有与会者共同讨论参与形式：讲座免费，但座位有限；欢迎感兴趣者通过微信公众号进行预约，约满为止，限60人
米行文化-零度空间
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