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Antidote pres. 

WaqWaq Kingdom & White+ 

(Live Set)

日期 DATE

2020/01/10 周五；Jan. 10, Friday，DADA Beijing

2020/01/11 周六；Jan. 11, Saturday, DADA Shanghai

门票 TICKET

23点前100元，之后120元

100 RMB before 23:00, after 120 RMB

WaqWaq Kingdom  

WaqWaq Kingdom由KiKi（King Midas Sound / Ninja Tune厂牌）和Shige（又名Scotch Egg，来自SeeFeel / WARP厂牌）组成。他们也曾在JaTali厂牌发行音乐。两位都来自日本，在英国生活了十多年，目前常驻莱比锡和柏林。

WaqWaq Kingdom is made up of Kiki (King Midas Sound / Ninja Tune) and Shige (aka Scotch Egg and from SeeFeel / Warp Records).  They also release on Jahtari Records.  Both are originally from Japan, lived in the U.K. for over a decade, and are now based in Leipzig and Berlin. 

WaqWaq Kingdom - Mom Tells Me (live) 

他们的风格和音乐就像迷幻的Nabe火锅：融合了日本传统民谣和牙买加dancehall, footwork, dub, techno, tribal polyrhythms 和超级任天堂原声。WaqWaq Kingdom催眠和萨满式的现场表演可以说是一种震撼的穿越时间隧道的体验，重新连接他们的本源与城市霓虹色彩的未来。

Their genre- and time bending sound is like a psychedelic Nabe hot pot: melting Japanese traditional style Minyo with Jamaican dancehall, footwork, dub, techno, tribal polyrhythms and Super Nintendo soundtracks.  WaqWaq Kingdom’s hypnotic and shamanic live performances are an intense time warp experience that re-connect their roots with the future of urban neon colors.

WaqWaq Kingdom live @ Red Bull Music Academy, Funkhaus Berlin, Sep 9th 2018

Shigeru被大多数人称为breakcore-gameboy传奇DJ Scotch Egg，同时他也在Seefeel (Warp Records)中担任贝斯，参与the Devilman企划和Small But Hard厂牌。

Shigeru is mostly knows as breakcore-gameboy legend DJ Scotch Egg, but also for playing bass in Seefeel (Warp Records), the Devilman project and Small But Hard Records.

Kiki是King Midas Sound（Ninja Tune / The Bug）、Black Chow、日本Dubstep noise组合Dokkebi Q和Noinonoinoino项目的主唱和作曲家。她备受赞誉的个人首张专辑“Karma No Kusari”于2016年在Jahtari发行。

Kiki is the singer/songwriter from bass explorers King Midas Sound (Ninja Tune / The Bug), Black Chow, the Japanese Dubstep noise duo Dokkebi Q and the NoinoNoinoNoino project. Her highly acclaimed solo debut album “Karma No Kusari” appeared on Jahtari in 2016. 

White+

2011年，北京乐队White+远赴德国，在著名的Anderebaustelle录音棚录制了他们的第一张专辑，该录音棚由Blixa Bargeld经营，而他是德国工业音乐巨头Einstürzende Neubauten的主脑。PK14乐队的杨海崧和Marco Paschke（与Einstürzende Neubauten经常合作的音乐人）一起为White+的这张专辑进行了混音，而专辑的封面是由后海大鲨鱼的主唱付菡设计的。这张专辑最具创意的时刻之一是在最后，独立动画导演雷磊为他们的《reD》贡献了极为出彩的rap说唱。

Beijing band White+ traveled to Germany in 2011 to record their first album at the celebrated Anderebaustelle Studio, run by Blixa Bargeld, frontman of Einstürzende Neubauten. PK14’s Yang Haisong along with Marco Paschke, a frequent collaborator with EN, handled the mixing for White+’s debut album while its cover was designed by Fu Han, the vocalist of Queen Sea Big Shark. One of the most original moments of the album comes at the very end with the acclaimed Beijing musician Han Lei rapping to the theme “reD.” 

这张专辑反映了White+所受到的来自德国前卫音乐到极简主义的影响。守望简单的声线为高涨的音效和旋律提供了一种空灵的伴奏，而王旭的鼓点则是推动歌曲的驱动脉冲。

The album reflects White+’s influences, from German avant-garde music to minimalism. Shouwang’s spare vocal line provides an ethereal accompaniment to the the swelling web of effects and melodies, while Wang Xu’s drum beats are the driving pulse that propel the songs forward.

《White+》中的歌曲都是以颜色命名的，它们将专辑分解成穿透棱镜的一道道光线。将这些不同颜色的光重新叠加在一起，作为一个整体，它们构成了White+。

The songs on “White+” are all named after colors, breaking the album down into tracks like light through a prism. Layer those different colors of light back together, and as a whole, they form White+.

从 White到 White+

From White to White+

“White”这个名字最早出现在几年前的“No Beijing”浪潮中，当时Carsick Cars乐队的领头羊守望在中国先锋音乐节“Sally Can’t Dance”上组建了吉他六重奏White。在同一时期，守望还组建了一支名为“White 2J”的摇滚组合也和White同样出名，这些都是他众多实验性想法的出口。无论过去几年采取何种形式，守望的“White Project”始终是中国地下音乐场景的先驱者和幕后推动者之一。

The moniker “White” first appeared several years ago during the No Beijing movement, when Shouwang, frontman for the popular group Carsick Cars, formed the guitar sextet White Ensemble for a performance at the China avant-garde music festival “Sally Can’t Dance.” During the same period, Shouwang also formed a rock duo called White 2J as well as the better known White, all as outlets for his more experimental ideas. No matter what form it has taken in the past few years, Shouwang’s “White Project” has remained one of the pioneers of and driving forces behind China’s underground music scene. 

从2010年开始，作为当时具有一定影响力的音乐场地D-22开始每周举办一次名为“Zooming Nigh”的实验活动。每周二晚上在那里表演的一小群实验音乐家开始成长为一个有影响力的组织，发展他们自己的创意理念和表演模式。作为这个组织灵魂人物的守望邀请了嘎调乐队的鼓手王旭，建立了一个新的实验项目，名为White+（White Plus）。他们把这个新项目描述为一个“硬件电子乐队”，守望负责效果器、人声、改装电子琴以及使用一些稀奇古怪的电子设备发出各种声音；而王旭则全盘操控打击乐以及鼓机采样。

Beginning in 2010, the influential live venue D-22 started hosting a weekly experimental event called Zooming Night. The small group of experimental musicians that performed there every Tuesday night began to grow into an influential community developing their own creative concepts and modes of performing. Shouwang, who was central to this community, invited Wang Xu, the acclaimed drummer of The Gar, to set up a new experimental project called White+ (White Plus). They described this new project as a “hardware electronica band” with Shouwang in charge of vocals and customized keyboards, pedals and loops, while Wang Xu plays drums and a sampler that generates the pulsing and rolling background beats.

他们的音乐擦出了一些惊艳的火花，也反映了两人的极简主义品味，创造出了一种被噪音磁场包围的精致结构。一位粉丝形容他们的现场表演是“一次精细而准确的细胞分裂”；这也不难理解，为什么著名的噪音乐队Health会邀请White+作为他们中国巡演的开场嘉宾了。

Their music flaunts some brilliant sparks as it reflects the duo’s minimalist taste, creating delicate structures surrounded by a field of noise. One of their fans described their live shows as “a detailed and accurate cell division;” it’s no surprise the well known noise band Health invited White+ to be the opening act of their China tour. 

------DADA SHANGHAI-------

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每周一休息, 21点开门, 22点后DJ上台。 

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