您查看的活动已结束

 For English Please Scroll down

三影堂厦门摄影艺术中心即将荣幸呈现“植田正治回顾展”，本次展览将是这位日本大师级摄影艺术家在中国的首次大规模回顾型展览的厦门站。展出从其早期至后期的141件珍贵原作，涵盖经典代表作品《沙丘》系列，以及备受国内外广泛赞誉的时尚摄影等多个阶段系列作品。

植田正治（1913-2000），因在自己家乡鸟取县拍摄的杰作《沙丘》系列而闻名于世，在日本乃至世界摄影史上留下了重要的印记。尽管当时的日本的摄影正处于现代主义的潮流当中，植田正治却毕生都在自己的家乡山阴地区，他只拍摄自己所谓的“真正事物”，却从未将自己定位于某种思潮之中。植田正治的现代主义表现手法是独一无二的，时至今日，“植田调”一直受到海内外的高度评价。

It is Three Shadows Xiamen Photography ArtCentre’s honor to present the first extended retrospective exhibition of ShojiUeda in Xiamen, China, featuring 141 early and late works ranging from hismasterful series Sand Dunes to the fashion photographs that helped trigger a reappraisal of his achievements.

Shoji Ueda (1913-2000), well known for hisiconic pictures taken around his hometown Tottori, would ultimately leave a major mark on the history of photography in not only his home country but also abroad. And he did it by remaining in his hometown Sanin, pursuing whatever imaginative ideas pleased him and never aligning himself with any particular movement, even as realism began to take center stage in main stream Japanese photography. His strain of modernism was so distinct that the “Ueda-cho (Uedastyle)” still generates fresh acclaim to this day.

Influenced by the Western avant-garde duringhis adolescence, Ueda maintained the passionate, uninhibited spirit of anamateur while he ran his own studio. His intricate compositions - prime examples of staged photography - often featured his family and his close friends in his neighboring sand dunes arranged like chess pieces. The worlds hemanaged to express within the constraints of commercial and fashion photography remain both surprising and deeply moving, as typified by Mode in Dunes, a project he undertook at the age of 70.

Shoji Ueda was born in 1913 in Tottori Prefecture, Japan and started his career as a photographer by establishing astudio at his hometown in the 1930s. He cemented his reputation within tricately staged photographs in the Tottori sand dunes before tilting toward srealism during the 1950s and continuing to garner acclaim with photo books like Children the Year Around, published in 1971. 1972, when he first traveled to Europe and published Oto no nai kioku, marked a turning point in his international reputation. He was subsequently invited toparticipate in Les Rencontres d’Arles in 1978 and 1987. His works are highly regarded abroad and he has steadily built a reputation among European collectors and critics in particular. In 1996, he received the Ordre des Artset des Lettres of France. Ueda died at 87 in 2000. In 2013, Tokyo Photographic Art Museum held “100 Years of Birth! Shoji Ueda,” a large retrospective.