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宏藝空間展览|生活的旮旯 The Corner in Life

2021年5月22日 10:00 ~ 2021年7月11日 19:00

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    No.1003 Shennan Avenue, Futian, Shenzhen

    宏藝空间很荣幸将于4号馆举办“Nice Drawings”艺术展 —— 生活的旮旯 The Corner in Life,展出茶鱼君、大仁、黄佳敏、欧亦萌、原霖泓这五位艺术家的作品。

    展览主题取“旮旯”这个意象来寓意生活中那些不起眼的时刻或被忽略的故事和风景,借由艺术家的作品带领大家从不同的方面转变生活的视线去凝视那些时刻。


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    茶鱼君 Chayujun, 生长Growing, 2019
    气泡膜、热缩片 Bubble Wap / Shrinkable Plastic, 43 x 59 cm

    “曲”这个字在传统的园林设计里是一个重要的运用,所以通常园林会设置许多曲径,这个设计是鼓励人们以悠闲的心态走进去,多花时间停留一下,慢慢欣赏,放下烦嚣,去感受当刻的境界。同时曲径还有一个功能,那就是改变观看的视线,想象一下曲径向左你会看到左边的风景,向右你会看到右边的景色,迂回曲折地走,你会慢慢看到很多事物。
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    大仁 Big Brother, 周期 - 蟑螂 Perode - Cockroach, 2020
    天鹅绒艺术纸 Velvet Paper, 18.3 x 25 cm
     
    茶鱼君创作了Bubble Boy —— 生长于气泡膜里的小男孩,微观而立体。在我们还未对当下作出反应的时候她已经捕捉了细微,置身其中的每个人都是她作品的主角;大仁自诩为一颗螺丝钉,在是是是ISISIS交叉学科自组织工厂里,锚定Mechanical Energy向Art Energy的科学转化;黄佳敏作品里涵盖了处于各种环境中的“自己”,正如寻找集体潜意识中被忽略的自我。我们可以在她作品里看到文学语言的视觉翻译,直觉而不乏诗意。“生活的旮旯”艺术家(一)

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    黄佳敏 Karmen Wong, 都市气候Ⅱ Urban Climate Ⅱ  2017
    综合材料 Composite Material, 4.5 x 4.5 cm for Each

    欧亦萌的创作灵感主要来自于对生活和旅游的观察和思考,各种色彩和风景元素在她的综合材料应用下,呈现出或清新、或浓郁且富有热度的变化;原霖泓在画作里的戏谑式吐槽与悲喜抒发之下,是她对文字、语言、视觉的独特理解和应用,甚至隐藏着令人瞠目结舌的真相。“生活的旮旯”艺术家(二)

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    欧亦萌 Ou Yimeng, 早春踏青Outing in Early Spring, 2021
    水粉、彩铅、丙烯、马克笔 Gouache / Color Lead / Acrylic Marker, 29.7 x 42 cm
     
    都说生活千人千面,每个人都有自己生活的轨迹,偶尔出走看看别人的痕迹,在生活的旮旯中寻找那些打动你的时刻,也是一番趣味。

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    原霖泓 Yuan Linhong, 这里有只熊猫 It's a Panda Here, 2019
    彩铅、指甲油 Color Lead / Nail Polish, 19.5 x 26 cm



    Great Art Space is honored to present the “The Corner in Life” in Hall NO.4. The exhibition features the works of five artists: Chayujun, Big Brother, Karmen Wong, Ou Yimeng, Yuan Linhong

    The theme of the exhibition takes the image of "the corner" to symbolize the trivial moments or the ignored scenes in life. The artist through their works attempt to guide the audiences to reassess those moments from a different perspective.

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    茶鱼君 Chayujun, Bubble Boy系列出版 Bubble Boy Zine, 2017
    纸本 Paper, 6 x 8 cm

    The Chinese character "Qu" refers to one of the essential techniques in the traditional garden design, by which numerous winding paths are set in the garden. The technique aims to engage the visitors in the present through spending more time walking deep down and enjoying the garden, which allows them to escape from the busy world for that moment. Those winding paths could also change the way of seeing. Imagine that the audiences will follow the guidelines of the paths once they enter the garden, seeing the view on the left when turning the left, and then the same as turning the right. Seeing much more through zigzagging.

    大仁 Big Brother, 周期 - 蜉蝣 Perode - Ephemera, 2020
    天鹅绒艺术纸 Velvet Paper, 18.3 x 25 cm

    The Bubble Boy created by Chayujun, a little boy who grows up in a piece of air bubble wrap, is meticulous and three-dimensional. She captures the subtleties of the moment before we could react to it. Thus, everyone in the scene is the protagonist of her works.Big Brother calls himself a screw, who complete the science transformation from Mechanical Energy to Art Energy in ISISIS interdisciplinary self-organizing factory. Karmen Wong’s works encompass various “self” in varying contexts, just as the search for the overlooked self in the collective unconscious. Painting for her is like a visual interpretation of literary language, intuitive and poetic.

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    黄佳敏 Karmen Wong, 都市气候11 Urban Climate 11 2015
    综合材料 Composite material, 30.5 x 30.5 cm

    Ou Yimeng gains inspiration from observation and reflections on life and travel. Her works are heart-lightening and rich with a flow of temperature, where various colour and landscape elements are communicated through applying mixed media. Behind Yuan Linhong’s banter and emotional expression in her works, the audiences would be surprised by her unique manipulation of words, language and visual effect, and the hidden jaw-dropping truth.

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    欧亦萌 Ou Yimeng, Mo的盛夏游乐园 Mo's Midsummer Amusement Park, 2020
    水粉、水彩笔、丙烯马克笔 Gouache / Watercolor Pen / Acrylic Marker, 19 x 19 cm

    There is an old saying that thousands of people with thousand faces, which implies everyone has a unique life trajectory. It is wonderful if we could get a chance to run away occasionally and see the traces of others. The exhibition “The Corner in Life” invites you to find the moment that touched you in the other’s life trajectories.

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    原霖泓 Yuan Linhong, 我仨 Three of Us, 2019
    软头黑笔 Pigma Brush, 10 x 14 cm



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